The score for the Exciting Film Project was delivered on Friday, so finally I have a little time to blog more about it.
It's really been a crazy couple of weeks. First of all working on the orchestrations for Dominik's music (along with the other orchestrator, Richard Hammarton). Then we had to record everything. I already blogged a little bit about recording the strings, and on the same day we recorded woodwinds (all played by Andy Findon), and the trumpet (me), all at Dominik's Crimson Noise studio. To get a nice big trumpet section sound, we often layered three or even six of me on top of each other. Further recordings of vocals and rhythm section took place over the next two or three days.
I've been working nights for the final week, editing the recordings and generally preparing the cues for Dominik to mix the next day. I would get to the studio at 9pm, and work through till around 7am the next morning. Then I was off to Ponti's in Liverpool Street station for a big fry-up (which was very good, apart from that the restaurant was freezing). Incidentally, I found working nights to be a pretty unusual experience: usually, life seems to be clearly divided into days, but while I was on this schedule, this delineation disappeared; I appreciated how time was just a constant flow. Hmmmmm.. Sad to say, I was so busy contemplating this coming home one morning, that I managed to leave my glasses on the train. (So if you happen to find a pair of black-rimmed Specsavers' glasses between Liverpool Street and Chingford, please let me know.)
A final flurry of activity on the last night/day: Dominik asked me to write and play one or two final trumpet bits for the credits music - and then I was done.
So it's been pretty hard work, and I had to put my regular life on hold for a while, but of course I am very happy to have been involved in such a project (sorry - I'm still not supposed to go into details about it - as soon as I can, I will!)
Sunday, March 05, 2006
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